What I didn't realise was that lecture recordings this trimester, or at least for this particular lecture, was audio only due to copyright issues. Which royally sucks, because half of the lecture was the guest speaker referring to charts and lists and whatnot, which is a little useless when you're only listening to audio. So although I listened to the lecture, a lot was going way over my head, much to my dismay.
Nevertheless, I am here to share as much as I can of things I have learned.
The first thing the lecturer stressed that we needed to be aware of as writers is what's going on with reading and books. That is, who is buying and in what mediums? Who is reading and what are they reading? Who is not reading and what is not being read? There are trends and fads in the literary world all the time and it is our job as writers to keep up with them, make them, and break them.
We need to know what different mediums exist: not just books, but also ebooks, magazines, and journals. There is a whole digital and online market on top of the hard-copy books and physical bookstores. Writers need to determine which mediums suit their creations best and which mediums suit them best. This is also where the choice between traditional publishing and self publishing comes in.
Who are the players in the writing and publishing business? Obviously, there's us, the writers. Then you've also got the publishers, the agents, the editors, the booksellers, and everyone else who lies somewhere in between. In Australia, we've also got the Australian Society of Authors, who help negotiate better terms and conditions for us and help deal with government issues around us. I'm going to guess there are probably similar organisations in other countries.
Writers need business skills, or somebody who does to help us. Some of these skills include knowing how to read the book market, understanding your market and yourself, knowing why you're writing and where your writing fits into your market, and where you are getting your income from.
The note about income is a relevant point to linger on. It is hard to make a living just of writing books and you're pretty amazing if you manage it, but the bottom line is that not everybody can do it, especially not right from the word go. From your writing, you'll get income from advances and royalties, and possibly from grants, fellowships, Public Lending Rights, Educational Lending Rights, Digital Lending Rights, copyright agencies, teaching, and public speaking. Depending on how well your writing is received by readers, this may or may not be enough, and it's not uncommon for writers to have other jobs and means of income, whether it still be publishing-industry related or a job from a completely different field.
What else do we need to do? We need to gather info. This can be done by subscribing to journals, reading in the library, researching online for example on the websites of organisations like ASA, and going to writers festivals and conferences. It is important to do our industry research. Find out who is publishing your genre, who is taking unsolicited manuscripts, what their editorial guidelines are, and remember to only send what they've asked you for. Know who your competition is and what makes you different from them and learn how to talk to people. Gather your resources, know how to talk to agents, publishers, editors, maybe even accountants and lawyers. Get serious about your professional development. Know what your rights are. Overall, just make sure you how know to make the most of being a part of the writing and publishing industry.
As for the publishers, they are looking for new material and new voices. It's a risky job for them, even when they're dealing with pre-established authors, but once they've found someone they think has potential they will invest in them; understand them, their writing, their market, and how they perform in public. A publishers job is to form a list that represents what their house stands for, and this is why it is important that writers know what publishers are looking for, because at the end of the day they will make a decision based on commercial value and potential.
I really wish I'd been able to see some of the charts and lists the guest speaker put on on the screens. It sounded like there was some interesting information and statistics there, but I think this post is long enough now, as much as I would have loved to share more with you. Sorry if a lot of this read like dot-points.
Have you got any tips and tricks for getting published, or some insight on how the publishing industry works?
- Bonnee.
We need to know what different mediums exist: not just books, but also ebooks, magazines, and journals. There is a whole digital and online market on top of the hard-copy books and physical bookstores. Writers need to determine which mediums suit their creations best and which mediums suit them best. This is also where the choice between traditional publishing and self publishing comes in.
Who are the players in the writing and publishing business? Obviously, there's us, the writers. Then you've also got the publishers, the agents, the editors, the booksellers, and everyone else who lies somewhere in between. In Australia, we've also got the Australian Society of Authors, who help negotiate better terms and conditions for us and help deal with government issues around us. I'm going to guess there are probably similar organisations in other countries.
Writers need business skills, or somebody who does to help us. Some of these skills include knowing how to read the book market, understanding your market and yourself, knowing why you're writing and where your writing fits into your market, and where you are getting your income from.
The note about income is a relevant point to linger on. It is hard to make a living just of writing books and you're pretty amazing if you manage it, but the bottom line is that not everybody can do it, especially not right from the word go. From your writing, you'll get income from advances and royalties, and possibly from grants, fellowships, Public Lending Rights, Educational Lending Rights, Digital Lending Rights, copyright agencies, teaching, and public speaking. Depending on how well your writing is received by readers, this may or may not be enough, and it's not uncommon for writers to have other jobs and means of income, whether it still be publishing-industry related or a job from a completely different field.
What else do we need to do? We need to gather info. This can be done by subscribing to journals, reading in the library, researching online for example on the websites of organisations like ASA, and going to writers festivals and conferences. It is important to do our industry research. Find out who is publishing your genre, who is taking unsolicited manuscripts, what their editorial guidelines are, and remember to only send what they've asked you for. Know who your competition is and what makes you different from them and learn how to talk to people. Gather your resources, know how to talk to agents, publishers, editors, maybe even accountants and lawyers. Get serious about your professional development. Know what your rights are. Overall, just make sure you how know to make the most of being a part of the writing and publishing industry.
As for the publishers, they are looking for new material and new voices. It's a risky job for them, even when they're dealing with pre-established authors, but once they've found someone they think has potential they will invest in them; understand them, their writing, their market, and how they perform in public. A publishers job is to form a list that represents what their house stands for, and this is why it is important that writers know what publishers are looking for, because at the end of the day they will make a decision based on commercial value and potential.
I really wish I'd been able to see some of the charts and lists the guest speaker put on on the screens. It sounded like there was some interesting information and statistics there, but I think this post is long enough now, as much as I would have loved to share more with you. Sorry if a lot of this read like dot-points.
Have you got any tips and tricks for getting published, or some insight on how the publishing industry works?
- Bonnee.
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