On Thursday 29 May, I met with a friend and we went to an event together at The Wheeler Centre. The event was a talk about sex in writing, given by Sam George-Allen of the online magazine, Scum. She spoke a great deal about how pornography, especially online, has a great influence on how people perceive sex. As writers, we are capable of making people perceive things the way we want them to be perceived, and here I'm not just talking about sex. But as writers, we also have the power to destroy misconceptions. Because of the plethora of pornography readily available to us through a few taps on the keyboard and a few clicks of a mouse, a lot of people (especially the young and inexperienced) get a completely wrong idea about sex. Sam spoke to us about writing truthfully, and this can be applied to anything we write about. Not every experience we have, sexual or not, is beautiful and perfect and all that jazz. In writing about sex, we often forget to write about the awkwardness, the fear, the humour, the accidental elbow-to-eyeball contact, bad or unsatisfying experiences instead of just the good stuff. And the interesting thing was, she wasn't talking to us specifically about writing erotica, because sex isn't limited to erotica, just like a good fight-scene isn't limited to an action/adventure genre. She was talking to us about writing a universal human experience that could occur in any genre, in any context. I thought it was a good little talk.
A few days later, I went to an event they called Night of the Living Novella, at which Hologram and Seizure both launched a handful of novellas by new writers. I met up with another friend for this one, and my friend had done a bit more research than I had and already bought a couple of the novellas and read them. Each of the authors read a segment from their novella to the audience and I quickly fell in love with Elisabeth Murray's The Loud Earth, which was one of the books my friend had already read and loved. I bought a copy of her book at the launch and my friend and I both got our copies signed after the readings. I started reading the novella on my way home on the train and didn't want to put it down. Our unnamed protagonist is a recluse, living in the mountains away from the town she grew up in when one night, Hannah shows up on her doorstep, not knowing the stories the townsfolk tell that make this woman an outcast. It was a really good short read and you should all read it!
Overall, I'm very glad I made it to a few of the Emerging Writers' Festival events this year and hopefully I'll make it to a few more for the Melbourne Writers Festival.
Have you been to any writerly events lately?