I was reminded of a valuable lesson today, which I originally learned six years ago.
In my first year of high-school, I lost a little story I had been working on at school that had only been saved to my memory stick. I left the memory stick on my desk, left the room, and when I came back, it was gone. So was the story.
I started saving the things I wrote in at least two places from then on. Once on my memory stick, and the desktop of the computer I was using at the time. When I got my laptop, I made sure to have a copy on the memory stick and the laptop whenever I could. At one point, I even had a copy on a second memory stick.
In the past year or so, especially in the last trimester of university, I got lazy with saving multiple copies and admittedly only kept a copy on my laptop.
Today, I was typing away at my NaNoWriMo W.I.P WALLS, moments away from hitting 15,000 words (my goal for the day was 15,003), when all of a sudden, my laptop switched itself off without warning! I worked out very quickly that it had overheated... it's a pretty old laptop and I'd left it charging for too long, so it wasn't happy with me. My first thought was, oh no, when was the last time I hit Save in the Word Document? After that, an even more worrying thought occurred... what if my laptop didn't turn back on? Last summer, my little sister's laptop (which she got the same time I got this one) switched itself off with a cloud of smoke rising from the keyboard. I had saved my NaNo to a memory stick on I'm not even sure what day, but it was the only time I had saved it elsewhere and I'd written a few thousand words since.
Luckily for me, my laptop did turn back on and I'd only lost about 100 words after subconsciously hitting Save at the end of the last full paragraph I'd written. I vented my distress and relief to a fellow WriMo over Facebook and she told me that's why she usually uses Google Docs/Google Drive as well as backing everything up on another device... it means there's a copy available wherever you've got internet connection, it's backed up on a hard device or two, and Google Docs has auto-save like Blogger does.
I made a Google Drive account last summer because a friend wanted to share some documents with me for proofreading, so after the near-no-WriMo experience today, I might give it a shot and write straight into Google Docs from now on. We will see how I go!
Lesson/reminder for the day: ALWAYS back up your writing!
My NaNoWriMo-ing is going smoothly and I'm sitting at a little over 15,000 words right now. A little more than a day ahead of schedule! At the moment, Mildred and Kovax have just been dismissed from their third after-school detention in a row for the week and it's raining outside.
Where do you back up your writing? How are your NaNo plans going?
- Bonnee.
Friday, November 8, 2013
Tuesday, November 5, 2013
Review: 'The God of Small Things' by Arundhati Roy
Just last week, I read a post on Lynda R Young's blog about reviewing books and thought I'd refer back to it while I wrote this one.
I finally finished reading The God of Small Things by Arundhati Roy a couple of days ago while I was on the train, travelling between my hometown and the city. I started reading this book for one of my university classes back in August, but didn't hurry to finish it because I was not responding to it for my assignment. Although I didn't have to finish it, I'd read and liked enough of it to want to finish it.
Roy's characters are realistic, complex, and well defined. Estha and Rahel, the fraternal twins whose point of view most of the story is told from, are my favourite characters. I found it easy to relate to Ammu's independent ways, which ultimately got her in to trouble and troubled the lives of everyone around her. I loved the Untouchable, Velutha, just as they did, right down to the last sentence of the book.
I love that the plot was revealed in a non-linear way, that started towards the end and then went back and forth a few times until everything made sense. This was pulled off really well. Each time we moved between times, Roy gave us just enough to keep us curious, but not enough for us to guess exactly what happens until the story is over. I don't think I have a favourite part, but one of the most memorable part was the incident with Estha and the orangedrink/lemondrink man at the theatre. I remember, I was reading that scene on another long train ride and had to stop myself from audibly expressing how disturbed and distressed it made me. Even at the very end of the novel, the last scene wasn't from the end of the narrative, but it left the reader on a happier, more hopeful note to balance all the darkness of the end of the narrative. The plot moved along a little slowly at points, especially wherever we stopped to introduce and explain the background of a newly introduced character. However, I couldn't find any of these slowed-down instances that were actually irrelevant to the story; there were certain things that characters did that you needed to know more about them to understand why. Even in these instances, whatever information we were given was unique and interesting.
Roy's story was set mostly in India and the setting here felt like another character. Roy uses very unique descriptions, sometimes gritty and brutally honest, sometimes magically beautiful. Reading it, it was easy to place myself there and visualise everything that was described, sometimes even a little bit more.
Roy's overall style was unique. Along with the non-linear narrative structure that she uses, she also uses really original phrases and descriptions. I think it would have been hard to find a cliche. Some of the ways she worded things surprised me, shocked me. There were a few moments a cliche would have fitted perfectly, but right when you thought you were about to read it, she turned it on its head and gave you something else. A few of these particular wordings became motifs throughout the story. She also used a lot of imagery - again, very original - some of which also became recurring motifs. The story was really beautifully written, and I think that was a big contributor to my wanting to finish it.
Along with the beautiful style, the content of the story is also very original, at least in my opinion. It's not a happy story and it's authenticity is emphasised by Roy's nitty-gritty honesty in everything she includes in the pages. The God of Small Things is a story about how breaking the laws of love ("... who should be loved and how. And how much.") alters the lives of fraternal twins Estha and Rahel, their mother Ammu, the man they all love, and everybody else around them. Their story is dark and disturbing and things get weird at times, but that's all a part of why I loved it.
I definitely recommend this to read.
In other news, it's Day 5 of NaNoWriMo 2013 here in Australia, and the writing I did today has boosted my word count to just over 9,000 words. I am loving the amount of time I am spending with my characters from WALLS, especially Mildred and Kovax, and how well I'm getting to know them while I watch them change and grow on the page in front of me. At the moment, Mildred is having a deep and meaningful conversation on the couch with her friend Lani, and Kovax is nursing the bruises from his most recent schoolyard scuffle... and to think, it's only Tuesday.
Have you read The God of Small Things by Arundhati Roy? How are your NaNoWriMo/NaNoRevisMo/NaNoNoNo goals going?
- Bonnee.
Edit: Much thanks to P V Ariel for reminding me to make note of the fact that The God of Small Things is the winner of the 1997 Booker Prize for fiction and also reached fourth place on the New York Times Bestsellers list for Independent Fiction. Arundhati Roy's debut novel was a huge success for her.
Roy's characters are realistic, complex, and well defined. Estha and Rahel, the fraternal twins whose point of view most of the story is told from, are my favourite characters. I found it easy to relate to Ammu's independent ways, which ultimately got her in to trouble and troubled the lives of everyone around her. I loved the Untouchable, Velutha, just as they did, right down to the last sentence of the book.
I love that the plot was revealed in a non-linear way, that started towards the end and then went back and forth a few times until everything made sense. This was pulled off really well. Each time we moved between times, Roy gave us just enough to keep us curious, but not enough for us to guess exactly what happens until the story is over. I don't think I have a favourite part, but one of the most memorable part was the incident with Estha and the orangedrink/lemondrink man at the theatre. I remember, I was reading that scene on another long train ride and had to stop myself from audibly expressing how disturbed and distressed it made me. Even at the very end of the novel, the last scene wasn't from the end of the narrative, but it left the reader on a happier, more hopeful note to balance all the darkness of the end of the narrative. The plot moved along a little slowly at points, especially wherever we stopped to introduce and explain the background of a newly introduced character. However, I couldn't find any of these slowed-down instances that were actually irrelevant to the story; there were certain things that characters did that you needed to know more about them to understand why. Even in these instances, whatever information we were given was unique and interesting.
Roy's story was set mostly in India and the setting here felt like another character. Roy uses very unique descriptions, sometimes gritty and brutally honest, sometimes magically beautiful. Reading it, it was easy to place myself there and visualise everything that was described, sometimes even a little bit more.
Roy's overall style was unique. Along with the non-linear narrative structure that she uses, she also uses really original phrases and descriptions. I think it would have been hard to find a cliche. Some of the ways she worded things surprised me, shocked me. There were a few moments a cliche would have fitted perfectly, but right when you thought you were about to read it, she turned it on its head and gave you something else. A few of these particular wordings became motifs throughout the story. She also used a lot of imagery - again, very original - some of which also became recurring motifs. The story was really beautifully written, and I think that was a big contributor to my wanting to finish it.
Along with the beautiful style, the content of the story is also very original, at least in my opinion. It's not a happy story and it's authenticity is emphasised by Roy's nitty-gritty honesty in everything she includes in the pages. The God of Small Things is a story about how breaking the laws of love ("... who should be loved and how. And how much.") alters the lives of fraternal twins Estha and Rahel, their mother Ammu, the man they all love, and everybody else around them. Their story is dark and disturbing and things get weird at times, but that's all a part of why I loved it.
I definitely recommend this to read.
In other news, it's Day 5 of NaNoWriMo 2013 here in Australia, and the writing I did today has boosted my word count to just over 9,000 words. I am loving the amount of time I am spending with my characters from WALLS, especially Mildred and Kovax, and how well I'm getting to know them while I watch them change and grow on the page in front of me. At the moment, Mildred is having a deep and meaningful conversation on the couch with her friend Lani, and Kovax is nursing the bruises from his most recent schoolyard scuffle... and to think, it's only Tuesday.
Have you read The God of Small Things by Arundhati Roy? How are your NaNoWriMo/NaNoRevisMo/NaNoNoNo goals going?
- Bonnee.
Edit: Much thanks to P V Ariel for reminding me to make note of the fact that The God of Small Things is the winner of the 1997 Booker Prize for fiction and also reached fourth place on the New York Times Bestsellers list for Independent Fiction. Arundhati Roy's debut novel was a huge success for her.
Tuesday, October 29, 2013
NaNoWriMo 2013
It's been a busy week and weekend for me! Last Monday (21st), I sat my philosophy exam, which I've achieved 83% for, so I'm happy. Then it was time to celebrate a friend's birthday on Thursday, and then on Friday, Deakin University residents celebrated the final night of res. That was a good night and included having goon poured over us, sharing a shower with three of my housemates (wearing clothes, I promise!), getting muddy in a mud-pit/mud-slide, and consuming many alcoholic beverages. My dad helped me move out and back to my hometown on Saturday, and on Sunday I caught the train back up to Melbourne so that I wouldn't have to travel the whole 3.5 hours on Monday morning to be at the university for job training at 9AM. After job training, I started the trek back to my hometown and made it in time for dinner. I've spent today (Tuesday in Australia) starting to unpack my stuff and tidy my room. Progress has been slow.
I'm home and free of study until late February/early March next year! As I mentioned in my last post, I want to participate in NaNoWriMo 2013. After a lot of consideration, I've decided that due to the fact that my writing style has changed significantly since I started writing WALLS at the start of this year thanks to my university studies, although I haven't finished a draft yet, I am going to re-write it from the start this November. A part of me is mad at myself for making this decision, because it wasn't until I'd decided to do it that I realised the half-written first draft that I'm scrapping was already just under 25,000 words. However, I'd rather the first full draft be all in one style and up to the same standard so that it'll be easier to revise later. Also, I've forgotten most of what I've already written and I want to change a few things, so I'd have to read over it all again anyway.
The good thing about making this decision is that I've already got most of a plan already written, because I certainly haven't had time to plan anything else, and I like being organised.
How are everybody else's NaNoWriMo/NaNoRevisMo plans going? If you're registered on the NaNoWriMo website, be my buddy!
- Bonnee.
I'm home and free of study until late February/early March next year! As I mentioned in my last post, I want to participate in NaNoWriMo 2013. After a lot of consideration, I've decided that due to the fact that my writing style has changed significantly since I started writing WALLS at the start of this year thanks to my university studies, although I haven't finished a draft yet, I am going to re-write it from the start this November. A part of me is mad at myself for making this decision, because it wasn't until I'd decided to do it that I realised the half-written first draft that I'm scrapping was already just under 25,000 words. However, I'd rather the first full draft be all in one style and up to the same standard so that it'll be easier to revise later. Also, I've forgotten most of what I've already written and I want to change a few things, so I'd have to read over it all again anyway.
The good thing about making this decision is that I've already got most of a plan already written, because I certainly haven't had time to plan anything else, and I like being organised.
How are everybody else's NaNoWriMo/NaNoRevisMo plans going? If you're registered on the NaNoWriMo website, be my buddy!
- Bonnee.
Tuesday, October 22, 2013
Writing Spaces: Editorial Practice
Greetings! As of earlier today, I have completed all of the classes, assessments, and the exam of my very first year of university. Now I'm considering participating in NaNoWriMo seeing as I'm free for November, though I'm not committed to it yet because I'm in the middle of writing WALLS and I'm not sure if it has a whole 50k words left to it or if I want to start something else before I've finished it.
Anyway, I thought that seeing as I'd finished university for the year, I should probably get the re-cap of the final Writing Spaces lecture out here. In our final lecture, we were visited by some of this year's editors of Verandah, Deakin's annual student-run literature and art journal. They shared some of their experiences with us and gave us some advice on editing not just our own work, but also editing the work of others.
Editing is an intervention on behalf of the reader, but editors also have a duty of care to the writer. This can sometimes be conflicting, especially within the context of being employed as an editor and having to apply what the publishers want to the situation. Because of this, editors have to be sensitive, tactful, and brave when identifying what the piece is, what is might be and what it could be. Another place editors have to practice extra sensitivity is when they undertake the task cross-cultural editing. This is for various reasons including making critical, aesthetic, and technical decisions, especially when translating from another language. Knowledge of the other culture is vital for cross-cultural editing to work smoothly, because you cannot edit in ignorance. The guest speakers used the example of an Australian children's book written by an indigenous author from the point of view of an Aboriginal child, which editors then tried to make 'white' because they didn't understand and couldn't accept the cultural differences that the piece presented.
There are a few different stages of editing, including structural/content editing, copyediting, and proofreading. The last two are checking for consistency, especially of spelling and punctuation. Editors need to be well-read and have good literary and writing etiquette skills.
The Verandah editors shared a few of their own experiences from their year on the journal's editing team. Being a part of the editing team wasn't just about editing for them, because they also had to take care of the business side of things. The Verandah team had to handle financing, distribution, production, design, and marketing. This is where I should mention that the Verandah editing team consists of a bunch of students in the third year of the same course that I am currently undertaking, which generally doesn't focus on such business skills, presenting them with a new challenging experience. Verandah is run by third year students of the Professional and Creative Writing major every year, so I will most definitely be applying for a position for the 2015 edition.
Of course, there was editing to be done. The team at Verandah followed the Australian Style Manual when editing and had to learn to work with the writers of accepted submissions to negotiate edits and get pieces to fit into the overall style of the journal.
The guest speakers also gave a word of advice for writers. Writers need to be able to separate themselves from their writing in order to edit. I think a good way of doing this is to have some time between completing the draft and starting to edit. There are two reasons for this. 1) A break from the piece will allow you to read with fresh eyes that don't automatically correct mistakes without acknowledging their incorrectness. 2) You won't take criticism from yourself and other people so personally and you'll find it easier to listen to, accept, and consider criticism.
I could go on about editing and my editing processes, but I will save it for a later post.
How do you feel about editing? Do you have any tips or tricks to share? Also, who else is doing NaNoWriMo? Tell me about your plans for the month of writing.
- Bonnee.
Anyway, I thought that seeing as I'd finished university for the year, I should probably get the re-cap of the final Writing Spaces lecture out here. In our final lecture, we were visited by some of this year's editors of Verandah, Deakin's annual student-run literature and art journal. They shared some of their experiences with us and gave us some advice on editing not just our own work, but also editing the work of others.
There are a few different stages of editing, including structural/content editing, copyediting, and proofreading. The last two are checking for consistency, especially of spelling and punctuation. Editors need to be well-read and have good literary and writing etiquette skills.
The Verandah editors shared a few of their own experiences from their year on the journal's editing team. Being a part of the editing team wasn't just about editing for them, because they also had to take care of the business side of things. The Verandah team had to handle financing, distribution, production, design, and marketing. This is where I should mention that the Verandah editing team consists of a bunch of students in the third year of the same course that I am currently undertaking, which generally doesn't focus on such business skills, presenting them with a new challenging experience. Verandah is run by third year students of the Professional and Creative Writing major every year, so I will most definitely be applying for a position for the 2015 edition.
Of course, there was editing to be done. The team at Verandah followed the Australian Style Manual when editing and had to learn to work with the writers of accepted submissions to negotiate edits and get pieces to fit into the overall style of the journal.
The guest speakers also gave a word of advice for writers. Writers need to be able to separate themselves from their writing in order to edit. I think a good way of doing this is to have some time between completing the draft and starting to edit. There are two reasons for this. 1) A break from the piece will allow you to read with fresh eyes that don't automatically correct mistakes without acknowledging their incorrectness. 2) You won't take criticism from yourself and other people so personally and you'll find it easier to listen to, accept, and consider criticism.
I could go on about editing and my editing processes, but I will save it for a later post.
How do you feel about editing? Do you have any tips or tricks to share? Also, who else is doing NaNoWriMo? Tell me about your plans for the month of writing.
- Bonnee.
Wednesday, October 16, 2013
Imagine 2013
I'm pretty excited by this.
I'd also like to give a huge shout-out to my friend Sarah, who had seven of her photographs published in the online journal as well:
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta1.php
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta2.php
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta3.php
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta4.php
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta5.php
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta6.php
http://www.deakin.edu.au/arts-ed/imagine/2013/sarah-bilotta7.php
I've officially finished all of my classes and assignments for the year and I have just one exam to complete on Monday before I can say I have successfully completed my first year of university. Where did all that time go? Who cares, this year has been amazing.
What has everyone else in the blogosphere been up to?
- Bonnee.
Tuesday, October 8, 2013
Writing Spaces: Poetics/Industry Guest Speaker II
As I mentioned in the previous post, none of my lectures have covered poetry per-say, but a couple of weeks ago we looked very briefly at poetics before spending the majority of the lesson looking at An Oresteia, which was one of the texts we could respond to in our final assignment. I didn't like that we spent a whole lecture looking at it seeing as certainly not everyone was going to respond to it.
Poetics refers to the different ways of reading a text and the effect it then has on a reader through the way certain elements of the text come together. Different ways of reading a text, especially something like poetry, are as representationalism, symbolism, and by interpretation not only of the facts and certainties that are communicated, but also of the mysteries and questions that are left unanswered.
As writers, it might be useful for us to ask ourselves how we look at our own writing?
Another question to ask ourselves is a question my lecturer from last trimester asked in our final lesson and a question a guest speaker last week asked us: Why are you here? For me and the people being asked directly, they meant this question with regards to us being in a creative writing course, but the question broadens itself to why do we write, which is something I have asked here before.
Our guest speaker last week went on to talk about how working in the writing industry usually requires a level of flexibility, especially when working in small press. I write because I love writing and I want to communicate messages - truths, ideals, opinions, beliefs - with an audience. Whether I can make a living through doing so or not aside, that is what I want to do. However, to be able to support myself, I'll hopefully gain a role as a professional proofreader, editor, maybe even one day an agent.
How do you look at your own writing? Why do you write?
- Bonnee.
Poetics refers to the different ways of reading a text and the effect it then has on a reader through the way certain elements of the text come together. Different ways of reading a text, especially something like poetry, are as representationalism, symbolism, and by interpretation not only of the facts and certainties that are communicated, but also of the mysteries and questions that are left unanswered.
As writers, it might be useful for us to ask ourselves how we look at our own writing?
Another question to ask ourselves is a question my lecturer from last trimester asked in our final lesson and a question a guest speaker last week asked us: Why are you here? For me and the people being asked directly, they meant this question with regards to us being in a creative writing course, but the question broadens itself to why do we write, which is something I have asked here before.
Our guest speaker last week went on to talk about how working in the writing industry usually requires a level of flexibility, especially when working in small press. I write because I love writing and I want to communicate messages - truths, ideals, opinions, beliefs - with an audience. Whether I can make a living through doing so or not aside, that is what I want to do. However, to be able to support myself, I'll hopefully gain a role as a professional proofreader, editor, maybe even one day an agent.
How do you look at your own writing? Why do you write?
- Bonnee.
Thursday, October 3, 2013
Writing Spaces: Sexualities
I was recently told off for not keeping my blog up to date with my classes by a classmate who has another lecture on at the same time and usually goes to the other one. I'm a little proud that some classmates are looking at my blog in order to study. Unfortunately, the reason I haven't been keeping up with the lectures here is that they haven't seemed to relate to Writing Spaces. Instead of the lecture on digital media, we had an industry guest speaker, which I shared a couple of posts ago. Then we were supposed to cover poetry in terms of sexualities one week and in terms of rhythm and economy the next week. Instead the lectures were about sexualities without placing it in a writing space, and then the next lecture was about one of the readings. I'm actually really upset that we didn't cover poetry.
I thought I'd share the sexualities lecture regardless of the fact that they didn't end up teaching us about a writing space. Good writing comes from being truthful, open-minded, well-informed, daring, and inventive. One of the many beauties of our art form is that it can be used as a freedom practice; no one can tell us what to write and what not to write. The world is slowly starting to adopt a similar view on love and sexuality. I make the distinction between love and sexuality here because while heterosexuality was already widely accepted by society, there are still couplings within it - between different cultures, between different social classes - that have been frowned upon at least in the past if not today.
The fun that comes with writing about love, though not necessarily in the form of romance genre writing, is that it is something that is often unstable and unpredictable. For example, I'm slowly reading the book The God of Small Things by Arundhati Roy. I wouldn't consider the book a romance by any means, but the portrayal of love, especially when it is forbidden, reoccurs throughout the text.
On a similar note, I've just gotten ready for a ressie block-party. The theme is gender bender. I'm feeling pretty manly at the moment. So I'll end the post here and join my housemates in partying now. Have a great night!
Have you explored love and sexualities in your writing? Can you think of any books you've read where this has happened?
- Bonnee.
I thought I'd share the sexualities lecture regardless of the fact that they didn't end up teaching us about a writing space. Good writing comes from being truthful, open-minded, well-informed, daring, and inventive. One of the many beauties of our art form is that it can be used as a freedom practice; no one can tell us what to write and what not to write. The world is slowly starting to adopt a similar view on love and sexuality. I make the distinction between love and sexuality here because while heterosexuality was already widely accepted by society, there are still couplings within it - between different cultures, between different social classes - that have been frowned upon at least in the past if not today.
The fun that comes with writing about love, though not necessarily in the form of romance genre writing, is that it is something that is often unstable and unpredictable. For example, I'm slowly reading the book The God of Small Things by Arundhati Roy. I wouldn't consider the book a romance by any means, but the portrayal of love, especially when it is forbidden, reoccurs throughout the text.
They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.Feminism also ties in with the literary discussion on sexualities. Not only is it an issue that can be incorporated into stories, but people like Jane Austen and the Bronte sisters became leaders of feminism through their writing when it was still considered a man's practice.
On a similar note, I've just gotten ready for a ressie block-party. The theme is gender bender. I'm feeling pretty manly at the moment. So I'll end the post here and join my housemates in partying now. Have a great night!
Have you explored love and sexualities in your writing? Can you think of any books you've read where this has happened?
- Bonnee.
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